Thursday, February 21, 2013
Many fans of Doctor Who and Sherlock fantasize about a crossover of the two beloved television series. These fantasies range from having a G rating to those of a much more adult nature. While I have been known to indulge in the latter, it is not the sort of fanfiction that will be discussed in this article. This hypothetical mashup is referred to as Wholock. Even the current puppetmaster of the two shows, Steven Moffat, thinks that it's a fun idea. While we all know that the chances of such a fanfiction-esque presentation are slim to none, I have spent a decent amount of time dreaming up a couple of valid ways to make it so.
Since they've already established Sherlock Holmes to be a fictional literary character in the Whoniverse, it seems impossible that Doctor Who and Sherlock could ever do a crossover. It would be possible, however, if they made Sherlock a show in the Whoniverse. They could then make Sherlock a holodeck-type character, much like what they did with Moriarty on Star Trek: The Next Generation (with bonus points if they make an uber meta reference about ST:TNG). It would also be cool if they mentioned the Doctor Who episode "Silence in the Library."
My second idea involves both time travel and an alternate universe. Ideally, Sherlock Holmes would reside in the universe in which the Meta-Crisis Doctor and Rose are living. Someone from the current Doctor's universe could go over to Meta's universe and observe and/or interact with Sherlock. They could then return to our universe, before the time in which the Sherlock Holmes novels were written, and regale Sir Arthur Conan Doyle with these tales, thus inspiring him to write the series. Perhaps the travelers could even be Vastra, Jenny, and/or Strax. The icing on the cake with this concept would be that we could actually see David Tennant, Billie Piper, and crew.
I am obviously hoping that these ideas are seen by the proper eyes and put into production (perhaps leading to my hiring as a permanent writer for one or both shows), but am not holding my breath any more than I am for the... intimate... details that I would like to see included. Torchwood, you are sorely missed.
Wednesday, February 13, 2013
Who's the Caboose? is a mockumentary in the style of The Office. I heard about it while listening to the podcast WTF with Marc Maron. Being a fan of his as well as many of the people in the film's cast, I figured that it was worth a watch. Well before its time, it is a simple, yet compelling commentary on the nature of Hollywood. Susan and Max are a young couple who are both comedians. Susan decides to move to Los Angeles for auditions during pilot season. Max reluctantly follows her with no intention of participating in the local culture. Very shortly into the film, I could sense that, despite his reluctance, Max would get drawn into L.A.'s environment of vapidness and greed, while Susan would experience more tribulation than she initially anticipated. I did not, however, anticipate just how many sudden changes they both would experience, both positive and negative. This film is by 90s alternative comedians, for 90s alternative comedians, but still holds appeal for a wider audience. As a side note, there are some hidden gems by the graphics entry assistant near the end of the credits.
I was expecting Eraserhead to be at least somewhat decent after all of the hype that I've heard. I found it, however, to be awful. I suppose that it was intended to be an avant-garde commentary on the stark hopelessness of postmodern life or some such simplistic college film student cliche. Anyway, it turned my brain to mush, so I'm just going to conclude my review with a list of adjectives: weird, confusing, depressing, unsettling, grueling, boring.
Thursday, February 7, 2013
Ignoring the fact that, sometimes, the chronology of fictional media is intended to be consumed in a wibbly wobbly way, I started my viewing with the prequel film Twin Peaks: Fire Walk with Me, which aired in 1992. My initial reaction was, "Da fuck did I just watch?" I realized too late that I should have researched it more thoroughly beforehand. Not having watched the series, I had no context for all of Twin Peaks' idiosyncrasies and surreal happenings. This brought up many questions which I eagerly wanted answered. Thus I ended up with a compelling reason to watch the show, despite much of the mystique of Laura Palmer's murder already being ruined. Truthfully, I found the film to be melodramatic and badly acted. I also, however, found its surreal retro campiness to be appealing. I attribute this mostly to 1) the quirkiness of the setting and many of the characters and 2) my suspicion that, like movies such as The Rocky Horror Picture Show and Mean Guns, the nature of Twin Peaks is intentionally tongue-in-cheek. Also, for some reason, I have a soft spot for a spectacle of tacky early 1990s fashion.
I've read that the creators of the show felt that the storyline went downhill after they were forced by the studio to reveal Laura's killer. I'm not sure if I am in the minority of fans or not, but, sometime in the second season, I actually began to tire of that initial plot line and started to enjoy the show more after they moved on from it. Before that point, the show relied too heavily on sappy soap opera moments. I'm still uncertain if these scenes were supposed to be parodying soap operas or they were done in earnest. Either way, they were getting tiresome. Speaking of such, though I felt bad for her, I was getting tired of Josie, as well.
You would think that, being a fan of The X-Files and having a crush on David Duchovny, I would have known long ago that he was on Twin Peaks. I even recall, years ago, finding a picture online of him in drag. I somehow, however, remained oblivious until his entrance and was pleasantly surprised by his character. David is quite good at playing a trans person and Denise was a damn good character. I would have liked to have seen more of her on the show.
Why did certain characters barely get any screen time? All-of-a-sudden, Donna Hayward had sisters and then...what...were they shipped off to boarding school? In general, why did the town of Twin Peaks have such a notable lack of children..and pets, for that matter? As for Mrs. Horne, I understand that Ben wanted to hide a lot of things from his wife, but it's like the writers forgot for a while that they had created her. In particular, where the hell was she while he was having a nervous breakdown? I was actually surprised when she showed up at the Hayward's house.
Seeing as how the movie was made after the show, it's understandable that the show doesn't mention David Bowie's or Chris Isaak's characters. If they started up the series again, though, it would be cool to see their stories expanded.
It was cool to see Molly Shannon, if only briefly.
Sundry brief observations:
In dialogue, they occasionally use the wrong character names. For example, there's a scene in which Donna is on the phone with Ed and Nadine comes on the line. Donna calls her "Annette." Am I missing something here?
Nadine's age is said to be 35, but Ed and Norma talk about how they broke up 25 years ago. From previous context, their breakup was established to be around the end of high school. From what I gathered, they are all supposed to be around the same age. So...huh?
At least one person who worked on the show had a great love of pan-up-from-feet camera shots.
I don't know who I want to bang more: Dale Cooper or Jack Wheeler. Oh, hell, just give me both at once...and include Audrey for good measure.
I was amused when I realized that I write somewhat similarly to how Cooper speaks.
If there were an award for the most unresolved cliffhangers in a television show, I'm fairly certain that Twin Peaks would be a clear winner. I would love to see them continue the story.
Update: They are continuing the story!